At a small gathering, consisting of the wedding party from Mumbai, Sarju, Nasreen and Shabnam, Shabnam sings a beautiful song at which Shakir Khan seems quite impressed. He later expresses his wish to marry Shabnam which shocks Najma as Shabnam is quite young and not yet 16. However, Akhtar persuades her to set up the wedding as even if she refuses to, the poor parents will be more than happy to get one of their daughters married to such a rich man. The bride's family accepts the offer but sets up their own demands asking for 5000 rupees for the family (to be used for the elder daughter's marriage) and 101 rupees as bakshish for the matchmaker, Hajjan Bi. With the wedding being set up, Salim is horrified at the whole thing and in a drunken state expresses his anger at how the girls are being sold off to the rich because of poverty. He equates the setting up of the wedding to the system where humans are auctioned. When Sarju gets to know of the wedding, he confronts Shabnam's parents asking them how they could do so knowing that he and Shabnam love each other and that he was working hard to earn a living with the intention of marrying her. He points out that they have auctioned her happiness and swears that he will either not let this wedding take place or destroy himself. On the other hand, Najma is not able to deal with the whole situation and constantly questions her role in it. Salim tells her that marriage is but a socially acceptable way of selling and buying humans and that she too has been a victim of a similar market. He tells her that as long as she is dependent on a man she will be just a toy, only when she stands on her own feet will she become her own person, with her separate identity. At that point, Sarju comes over to Najma and tells her that she had set up the love of his life with Shakir Khan. Najma feels terrible and tries to get the wedding cancelled but to no avail. She breaks down and apologizes for messing it up. Sarju takes matters into his own hands and pleads Shakir Khan to break off the wedding, relating all his troubles, but only gets thrashed by him in return with Akhtar and some of the others from the wedding party as mute spectators.
Making Love is a 1982 American drama film directed by Arthur Hiller and starring Kate Jackson, Harry Hamlin and Michael Ontkean. The film tells the story of a married man coming to terms with his homosexuality and the love triangle that develops between him, his wife and another man.
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Claire, concerned about the growing distance in her marriage, goes to her boss seeking a year-long leave of absence. Instead, he promotes her and sends her to New York City on a weekend business trip. Zack takes advantage of the opportunity to spend more time with Bart, but they end up arguing. Zack calls the outline for Bart's new novel less than honest, and Bart confronts Zack about his own lack of honesty about his sexuality. That night in bed, Zack tells Bart that he loves him. The next morning, fearful of his own growing feelings for Zack, Bart pushes him away again.
The core concept for Making Love purportedly occurred to writer Scott Berg while he was touring to promote his 1978 biography Max Perkins: Editor of Genius: the tour occasioned Berg's touching base with several male friends from his college days who confided that they were opting out of marriages for same-sex relationships. Berg said, "I thought this is the next big social movement of our country. What the black [rights] movement was, translated into film in the '60s, what the feminist movement was in the '70s, the gay movement will be in the '80s."[2] Berg pitched a story based on his college friends' disclosures to his friend screenwriter Barry Sandler who like Berg was openly gay. Sandler said, "I resisted [scripting Berg's story] at first" - six months passed before Sandler agreed to collaborate with Berg - "I [had] always written very glossy, Hollywood type of films"..."[Berg's story was] very delicate and potentially explosive...To do this film meant a great deal of self-exploration into portions of my psyche I hadn't been into before."[2] Despite Berg's avowed purpose in "translating" the "gay movement of the '80s" into film, the planned focus of the screenplay for Making Love was as a "husband-and-wife love story." Berg said, "It was very important to have a love story [to interest] a major studio".[2] Sherry Lansing, newly appointed president of 20th Century-Fox, greenlit the project based on an outline of Sandler's projected screenplay, of which a 125-page rough draft was completed in the autumn of 1980 when directing duties were assigned to Arthur Hiller, whose helming of the iconic 1970 film Love Story would be heavily referenced in the promotion for Making Love, the latter film being posited as the "'Love Story' of the '80s".[2]
Eleniak was once engaged to her Baywatch co-star Billy Warlock, who had played her love interest on the show, as well.[7] Eleniak married bodybuilder Philip Goglia on May 22, 1998, but after just six months, the marriage ended in divorce.[8][9] After filming Snowbound in 2001 in Calgary, Alberta, Eleniak became enamored of the city. She began dating Roch Daigle, a key grip who worked on the set. She had wanted to leave Los Angeles as she found commuting to and from Telluride, Colorado, difficult. She purchased a home in Calgary, where Daigle lived.[10] The two eventually married. Eleniak became pregnant in 2005, but six and a half weeks into her term, the pregnancy was discovered to be ectopic, which required emergency surgery, and ended in a miscarriage. Eleniak later became pregnant again and gave birth to a daughter.[11]
Kurukkante Kalyanam (English: The Fox's Marriage) is a 1982 Malayalam-language comedy film directed by Sathyan Anthikad in his directorial debut and written by Dr. P. Balakrishnan. The film dwells on love that transcends age barriers. The film revolves about a shy, timid, and introverted Sivasubrahmania Hariramachandran (Sukumaran), who falls head over heels for the petite and spunky Saritha (Madhavi), regardless of an age difference of 14 years.[1]
With decreasing album sales and a lack of commercially successful singles, Cher decided to further develop her acting career.[121] While she had previously aspired to venture into film, she had only the critically and commercially unsuccessful movies Good Times and Chastity to her credit, and the Hollywood establishment did not take her seriously as an actress.[121] Cher later recalled, "I was making a fortune on the road, but I was dying inside. Everyone kept saying, 'Cher, there are people who would give anything to have standing room only at Caesars Palace. It would be the pinnacle of their careers.' And I kept thinking, 'Yes, I should be satisfied' ... But I wasn't satisfied."[122] She moved to New York in 1982 to take acting lessons with Lee Strasberg, founder of the Actors Studio, but never enrolled after her plans changed.[29] She auditioned for and was signed by director Robert Altman for the Broadway stage production Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean, playing a member of a James Dean fan club holding a 20-year reunion. That year, Altman cast her again in the film adaptation of the same title.[123]
In 1974, ABBA were Sweden's first winner of the Eurovision Song Contest with the song "Waterloo," which in 2005 was chosen as the best song in the competition's history as part of the 50th anniversary celebration of the contest.[3] During the band's main active years, it consisted of two married couples: Fältskog and Ulvaeus, and Lyngstad and Andersson. With the increase of their popularity, their personal lives suffered, which eventually resulted in the collapse of both marriages. The relationship changes were reflected in the group's music, with later compositions featuring darker and more introspective lyrics.[4] After ABBA separated in December 1982, Andersson and Ulvaeus continued their success writing music for multiple audiences including stage, musicals and movies,[5][6] while Fältskog and Lyngstad pursued solo careers.[7][8]
ABBA never officially announced the end of the group or an indefinite break, but it was long considered dissolved after their final public performance together in 1982. Their final public performance together as ABBA before their 2016 reunion was on the British TV programme The Late, Late Breakfast Show (live from Stockholm) on 11 December 1982. While reminiscing on "The Day Before You Came", Ulvaeus said: "we might have continued for a while longer if that had been a number one".[68] In January 1983, Fältskog started recording sessions for a solo album, as Lyngstad had successfully released her album Something's Going On some months earlier. Ulvaeus and Andersson, meanwhile, started songwriting sessions for the musical Chess. In interviews at the time, Björn and Benny denied the split of ABBA ("Who are we without our ladies? Initials of Brigitte Bardot?"), and Lyngstad and Fältskog kept claiming in interviews that ABBA would come together for a new album repeatedly during 1983 and 1984. Internal strife between the group and their manager escalated and the band members sold their shares in Polar Music during 1983. Except for a TV appearance in 1986, the foursome did not come together publicly again until they were reunited at the Swedish premiere of the Mamma Mia! movie on 4 July 2008. The individual members' endeavours shortly before and after their final public performance coupled with the collapse of both marriages and the lack of significant activity in the following few years after that widely suggested that the group had broken up. 2ff7e9595c
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